The amazing thing is that, with a few exceptions, all the side activities are a lot of fun. You can learn the intricacies of Shogi, build your own racer in Pocket Circuit, or try to reach the end of OutRun. Hell, if you’re bored you can just sit back and watch softcore videos of models posing awkwardly in front of a camera (which made me feel uncomfortable, personally). On top of simple side-distractions like karaoke and phone dating, each character has a giant business opportunity that involves buying up assets and running a cabaret club. Seriously, the number of side activities is dizzyingly vast and layered thickly. Pile onto that a massive crowd of people who want the assistance of hardened thugs to help them with things like proposing to their loved one or saving their loved one from a cult, and there’s a lot to do around Tokyo and Osaka. WELCOME TO THE FANTASY ZONEīeing involved in such a life-or-death twisted knot of conspiracies naturally leaves both Kiryu and Majima with a lot of time for fun! Dining out, hitting up the game center to play Space Harrier, or even disco dancing, there’s a lot to do. Their reasons for getting involved with the empty lot are radically different, and the ways that their actions unknowingly affect one another is one of the narrative’s stronger points. Property was everything during the bubble, and the Yakuza is falling over itself to gain ownership of the lot.ĭuring this, Kiryu is framed for murder and expelled from the Dojima- gumi, whereas Majima has been an outcast for a while and is stuck living in Osaka under the thumb of a brutal man named Sagawa. That may not sound very exciting, but the real estate in question is an empty plot of land that is holding up the development of a larger area of the Japanese neighbourhood of Kamurocho. The story is split between the characters of Kazuma Kiryu and Goro Majima, both of which are former Yakuza attempting to regain status among their respective families while getting entangled in a plot involving real estate. Yakuza 0 is a series of distractions that must occasionally be interrupted by a narrative. Even without being intimately familiar with the time period, the sense of nostalgia is palpable. Likewise, staples of Japanese culture in the ‘80s are present, with disco dancing, telephone clubs, and even classic arcade titles to play in the game centers. Tacky clothes, garish interiors, and fluttering currency is the aesthetic of choice. Yakuza 0 dials back the timeline to 1988, smack dab in the middle of the Japanese economic “bubble.” The game’s central themes are all centered around Japan’s powerful affluence during this period, with money literally bursting out of enemy thugs with every punch. So whether or not I have a reasonable perspective, that’s up to you. I also don’t know which characters are wearing plot armor or if anything that happens is significant enough to have an impact on the overall narrative of the series. On the other hand, if you’ve never played a Yakuza game before, then we’re on the same page. I also can’t speak of any fatigue that someone who’s played all the titles might be feeling if they’ve been too samey, or the disappointment if they’ve strayed too far from what made them great. I can’t compare it to previous titles in the series I don’t know how it has evolved or has failed to. I want to stress this because it has an impact on how I view the game. Sure is! WESTERN SHORESĪs previously stated, I’ve thus far forgone the series, but I’ve always considered jumping in. Yakuza 0 is that prequel, and it seems like a good height to jump from. Regardless, it has finally presented me with an entry point into this daunting series, as the developer has gone back to the beginning with a prequel and full remakes of the first two titles. If I had to guess, I’d say it has something to do with their recent purchase of Atlas, a developer with a long history of localizing niche titles that have no hope of selling over a couple-hundred thousand copies. Recently though, it seems Sega has learned to let a game serve a niche. Yakuza 3 famously had content cut, much to the chagrin of fans, and after that, it was, “We have no plans to localize, but maaaaybe…” Yakuza 5 didn’t even have a physical release, being fully digital. After the initial game flopped, Sega was pretty cagey every time a new game was coming down the pipe. The series was a big hit in its homeland of Japan, but had a great deal of difficulty finding its footing here in the west. Why wouldn’t it? Its journey across the pond to North America is interesting to watch. I was unimpressed, but the series remained in my periphery. All I remember is the title character running around in what looked like a Japanese garden. My experience with Yakuza boils down to this one time that I watched a former roommate play a bit of the first game on Playstation 2.
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Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. In 2015, Joe formed the Second Disc Records label. JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. All Tomorrow's Parties - The Velvet Underground (5:53).Sweet Jane - The Velvet Underground (4:09).After Hours (Live Version 1) - The Velvet Underground (2:56).Foggy Notion - The Velvet Underground (6:59).Pale Blue Eyes - The Velvet Underground (5:40).Sister Ray (Live) - The Velvet Underground (19:03).Sunday Morning - The Velvet Underground (2:56).I'm Waiting for the Man - The Velvet Underground (4:40).Heroin - The Velvet Underground (7:14).17 XII 63 NYC The Fire Is a Mirror (excerpt) - The Theatre of Eternal Music (6:21).Venus In Furs - The Velvet Underground (5:12).The Velvet Underground: A Documentary Film By Todd Haynes - Music From The Motion Picture Soundtrack (Republic/UMe, 2021) ( Amazon U.S. You'll find the album's tracklisting and pre-order links below. The soundtrack and film are due October 15. The Velvet Underground: A Documentary Film by Todd Haynes explores the band's integration of the avant-garde into the burgeoning rock genre. Some of the Velvets' influences are also featured via Bo Diddley's "Road Runner," doo-wop group The Diablos' "The Wind," and La Monte Young's "17 XII 63 NYC The Fire Is a Mirror (excerpt)," performed by the avant-garde unit known as The Theatre of Eternal Music. Distinguishing this from the standard VU compilation, the soundtrack adds Nico's "Chelsea Girls" and the novelty "The Ostrich" from Lou Reed and John Cale's early band The Primitives. It includes some of the band's best-loved anthems ("I'm Waiting for the Man," "Sweet Jane") as well as deeper cuts (the mono version of "Heroin," the 1969 outtake "Foggy Notion") and live tracks ("After Hours," a nearly 20-minute-long jam on "Sister Ray"). The album, offering 16 tracks by the Velvets and others, has been curated by Haynes and music supervisor Randall Poster. Upon its July premiere at the Cannes Film Festival, the documentary was met with acclaim and Oscar buzz. The movie secured the participation of surviving bandmates John Cale and Maureen "Mo" Tucker in chronicling the story of the groundbreaking group formed by Cale, Lou Reed, Sterling Morrison, and Angus MacLise (replaced in 1965 by Tucker). The same day, Republic Records/UMe will issue the film's soundtrack on 2-CD and digital formats. On October 15, The Velvet Underground: A Documentary Film by Todd Haynes will be released in theaters and to the Apple TV+ streaming service. But before Haynes tackles Peggy, he's returning to a different Velvet: The Velvet Underground. More recently, he's been attached to direct Michelle Williams in the forthcoming Peggy Lee biopic Fever. One of his first works to garner significant attention was 1987's controversial and unauthorized Superstar: The Karen Carpenter Story four years later, his evocation of the glam rock era in Velvet Goldmine made more commercial waves. Director Todd Haynes has long emphasized music in his filmography. On the iPad, this menu can be pinned permanently to the left-hand side in landscape view. Tapping your avatar in the upper-left corner of the screen brings up a menu where you can access your own tweets and favorites, a search field, saved searches and lists. The two most commonly used actions - reply and view conversation - are tied to right and left swipes on tweets. For instance, tapping on a tweet makes reply, retweet, favorite and advanced options icons appear below it. This is possible because most of its functionality is hidden until you either tap or swipe. Twitterrific's interface is kept very clean. Followers and followed users are presented in a unique grid view of their names and avatars, which is a nice touch, especially if you're like me and associate the people you follow mostly with their pictures. The interface is smooth and fast, with secondary screens such as the built-in browser and image viewer sliding into and out of view quickly and moving between screens is lightning fast, even on my iPhone 4. What's more, you can have Twitterrific automatically switch to the dark theme during nighttime hours, which has ended up being even nicer than it sounds. Overall, there's a high degree of customization. This panel also has its own brightness slider independent of the device's. Using a dedicated appearance panel, you can select from five different fonts (Helvetica, Proxima Nova, Signika, Museo Slab and Calluna), increase and decrease the font size, resize or remove avatars, change line spacing and toggle between a light and dark theme. What really makes Twitterrific stand out, however, is the ease with which you can customize its already lovely aesthetic. You can disable notifications at any time in your settings menu. 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The baseball 9 Mod Apk is a free application that works with most Android devices, including the Nexus 4, Nexus 6 and LG G3. Baseball 9 Mod Apk is the top game available online. The song was also included as bonus track on international releases of the band’s 2009 album, brand new eyes. Daydreaming Lyrics: Paramore: Decode Lyrics: Brand New Eyes: Decoy Lyrics: The B-Sides Bootleg: Emergency Lyrics: All We Know Is Falling: Emergency (Crab Mix) Lyrics: THE SUMMER TIC EP: Escape Route Lyrics: Self-Titled Deluxe: Fast In My Car Lyrics: Paramore: Feeling Sorry Lyrics: Brand New Eyes: Fences Lyrics: Riot For A Pessimist, Im Pretty. The song can be heard playing during the film’s credits.Īt the 52nd Grammy Awards, Decode received a nomination for Best Song Written for Visual Media. The song was written from Bella’s (Kristen Stweart) perspective and narrates her feelings towards Edward. We wrote the song and Josh had this really cool music and I thought it fit the vibe and the tone of the story. The band revealed they were fans of the series, and Hayley Williams, in an artist-on-artist interview for MySpace with Robert Pattinson, who portrays Edward in the film series, said she really wanted to be part of it. The band gained international recognition and attracted a lot of new fans. The song, written for the soundtrack to the 2008 movie Twilight, was released as its lead single and became a commercial success. Lyrics academyĪll lyrics are property and copyright of their owners and are strictly for educational purposes only.Paramore had already had their breakthrough with RIOT! and Misery Business, but Decode put the band on a complete new level of superstardom. Gotta Be Somebody by Nickelback - nobody wants to Lyrics. Heartbeat by Nneka - can you feel Lyrics. Don't Upset The Rhythm by Noisettes - don`t upset rhythm Lyrics. 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Verse 1 How can I decide what's right, when you're clouding up my mind I cant win your losing fight all the time How can I ever earn what's mine, when you're always taking side Well you wont take away my pride, no not this time. I beat the tutorial and the first mission, and i want to like it, the music and the maps are really quite nice. (Note if you goto PlayerOptions.ini, you can get some more fine grain control over graphics i think?) There is no actual quality options, like enable AA, etc. The graphics quality options consist of Very Low, Low, Normal, High. It does not have multi monitor support (so when you pan to the left of the screen your cursor goes off the window) It does have Skirmish, however Skirmish is not what people are expecting, instead it seems to be 3 custom scenarios. If someone has a burning question just ask. I will go give the game a try and report back if it is going to be another Legends of Pegasus. Go to Documents/AncientSpace/PlayerOptions.ini => change VSync to False So where exactly do i get support from.?ĮDIT I poked around and was able to get the game to launch: I poked around the paradox forums and i can't find a forum for the game there. Steam Forum is apparently here, but when i try to go to it, i get redirected to the steam store page Works now. The game seems to crash at launch, and i can't find any sort of error log. The content we produce is obviously not free of use should you want to upload our videos on your own website or YouTube channel.I love RTS games, so i decided to take the 20 dollar plunge. We now also produce HDR videos, which can only be enjoyed by those who own compatible televisions. At a time when Youtube's subpar video compression has become the norm for most people on the Internet, we refuse to give up quality without a fight. The HD content we provide always respects the original resolution and framerate of the games we capture, making Gamersyde the one and only place to get 1080p/4K/60fps videos with high bitrate. We are able to offer fast news delivery and HD content from the upcoming games, and one of the greatest and friendliest gaming communities in the world. We cover both handheld and video games platforms and the site has grown into one of the biggest gaming sites in the continent. Gamersyde is a commercial multiplatform web portal based in Europe, with hundreds of thousands of visitors each month from all over the world. Live with Your Choices: Each mission advances the plot, and introduces new challenges to be met by choosing the right crew and the right upgrades for the jobįor more information on Ancient Space, visit About Gamersyde.An Explosive Space Opera: A compelling story, performed by a stellar cast, follows the player as the fleet tackles questions of humanity and science in an epic single-player campaign.New Frontiers, Classic Gameplay: Build, maintain, upgrade, and strategically command a multitude of ships in tactical battles and missions, facing aliens, pirates, and the unknown.Dwight Schultz (Star Trek: The Next Generation, Star Trek: Voyager).Dina Meyer (Starship Troopers, Star Trek: Nemesis, Saw).John Billingsley (Star Trek: Enterprise, True Blood).Mission objectives are many, varying from exploration to stealth, from assault to defense and more.Īncient Space is host to a cast of characters voiced by fan-favorite actors from sci-fi television series and films, including: STOCKHOLM - AugParadox Interactive today revealed that Ancient Space, a new story-driven real-time strategy (RTS) game from developer CreativeForge Games, will be coming to Windows and Mac PCs in Fall 2014.Īncient Space is a single-player, real-time strategy title that puts the player in command of a fleet conducting a scientific mission on the edge of the known universe, charting what lies beyond in ‘The Black Zone.’ A rich and compelling story will guide the player as they build and upgrade their fleets and then survive overwhelming odds in deadly strategic missions.Īncient Space mixes an engrossing single-player campaign story with time-honored RTS gameplay for a suspenseful experience. New Story-driven Real-Time Strategy Game With Stellar Cast Announced Paradox Interactive and CreativeForge Games Invite You to Explore the Void in Ancient Space This will target the large piles of ore (all colors) and smelt them on small forges. Say: The Guardiannn demandsss additional resourcesss. This is what the macro looks like in Razor It would probably save you a few seconds if the current last object was a shovel that has broken. You can make a simple razor macro to just double click shovels if you'd rather. I do this with a simple last object macro from the UO options menu in game. This macro does NOT move for you, you will have to target new veins. When you're over 375 stone, you get a message, mount your horse, and the macro stops. When your shovel breaks, you get an emote (Not necessary) and it tinkers you a new shovel using the tool kit (Not the tinker's tools sold at the shops in town). When you run out of ore, you get a message. You will need to double click your shovel and choose a spot to mine. I have the following macro set to Alt + , The little messages and emotes just keep mining from boring me to tears. Also, keep in mind I do a fair amount of roleplaying and you do not need most of the words it has you say. keep in mind this will not do everything for you. Before any constructive, or not so constructive, criticism is given. Alright, I'm going to post my mining macro here. Add complexity to scenes with sticker spray, sticker sheets, gloop pen, and glitter tube.Drawing tools such as pencil, chalk, crayon, inking pen, felt pen, flood fill, and auto smoothing.Oil brush, paint roller, paint tube, palette knife, watercolor brush, water glass, airbrush, and the ability to play with the thickness and wetness of paint so you can smear new brush strokes over old ones or even have the paintbrush’s texture leave marks on the paint as well. Here are some of the features you can look forward to in ArtRage Studio Pro: You can purchase any of the four ArtRage programs here. There’s also an ArtRage App that’s available for $.99 on the iPad. Please note that it has slightly less demanding system requirements: Windows XP, Vista, or 7. The manual for ArtRage 2.6 is currently written in English, French, German, Italian, and Turkish. A screen resolution of 1024 x 768 is needed, as well as 512 MB of RAM.ĪrtRage 2.6 ($20) offers many more languages to its users, such as: English, French, German, Dutch, Italian, Spanish, Spanish (South America), Portuguese, Portuguese (Brazil), Greek, Turkish, and Russian. Here are the system requirements for both of these versions of ArtRage: Windows XP, Vista, Windows 7, and Mac OSX 10.4 or later as long as it has an Intel processor. The software manual is currently only offered in English and Italian but they’re working on more translations. I use a Wacom Intuos3 Tablet that’s 6 by 8 inches, but there are plenty of other options on the market! You’ll immediately notice the extra control over details that it gives you on every brush stroke, and you’ll get more work accomplished in less time.įor artists buying ArtRage Studio ($40) or ArtRage Studio Pro ($80), they both are offered in the following languages: English, French, German, Dutch, and Italian. Drawing or painting with a computer mouse – or your finger if you’re using a touchpad – is slow and tedious, so a digital stylus (pen) is highly recommended. ArtRage is an affordable and powerful tool that’s worth considering.īefore showing any software to artists, I would feel guilty if I didn’t first suggest buying a graphics tablet. If that’s the gigantic art industry you want to jump into then you’ll need the right software to help you bring your ideas to life. Thanks to concept art, painting is still very much alive in the modern world we live in, with its grasp on culture possibly higher than ever before in history. It’s easy to forget that almost every film, video game, music video, and commercial starts off as a concept that’s fleshed out through text and art. Oddly, that one never did work out for her. Meanwhile, her crush dated women of varying appearances and dress styles but only appeared interested in those with a strong sense of self. I don’t (I think) have big problems with these issues myself, but I know plenty of people who do, or have in the past including one roommate long ago who would barricade herself in her bedroom with a stack of these magazines whenever her romantic fortunes turned bad, convincing herself she’d been rejected because she wasn’t quite thin enough or quite well-enough made up. If I were the sort of person who believed in burning reading material in the public square, my first bonfire would be a big pile of Cosmo and Glamour and all their variations, aimed at women from their early teen years until they should definitely be old enough to know better, that help us be critical of all the wrong things (my happiness DEPENDS on my being a size 2!) and blind to all the obvious ones (men vary! also, they’re people! if you can’t relate to one as a friend and fellow human, nothing else about your relationship will work!). It’s possible that I’m more sensitive to this than most. It’s the fantasy that relationships can be completely understood and managed and controlled, and that everyone in the relationship can be perfected and made shiny.īut being totally perfect and shiny for your significant other, so that they will not reject you… what *is* that? Dysfunctional neediness, not love. Much blacker.)įinally, the type of power fantasy involved here is a double-edged and scary one. Or Molleindustrized into some kind of super-dark, cynical scenario that reveals Dr Love is controlled by the interested parties who sell exercise machines and golf-training devices and yard fountains, and that all this private misery is thanks to advertisers first creating a need for high-status, high-appearance relationships, and then destroying them. I could see this thing being Bogosted into a reductionist breakdown of the whole self-help industry. This is why, for some time, I hung on to the hope that the game was joking, that the self-help book pastiche was intended as parody, and that we were going to hit some awesome whipsaw reversal. A lot of that advice was not very good, and what wasn’t inherently foolish (like “listen thoughtfully when your partner tells you something”) was often phrased as “stuff that men could do in order to get along better with their wives/girlfriends” rather than “stuff applicable to both genders.” It often seemed to be shoring up some of the extremely dumb things that women often tell themselves and each other about conventional dating, with the strong implication that men are starting from a point of essential deficiency at the skill of relating to others at all. In fact, there were little snippets of Dr. If I play Halo: ODST for an hour, I don’t walk away trying to apply that experience to my real-life encounters with alien soldiers.īy contrast, there was a lot about the self-help-book framing of Making Mr Right that seemed to suggest it was meant to be dispensing real life advice. The second point is that the lines of the fantasy are less clearly demarcated. But I am a bit disappointed, in the sense that I generally hope games that are more about relationships and daily life will bring with them some measure of maturity, nuance, and perspective - instead of which this one manages to be juvenile, just in a totally different way. I don’t think power fantasies are necessarily the Root of All Evil or anything. (In case there’s any real confusion, I just thought Simon’s phrase “ever so slightly outraged” was entertainingly oxymoronic and ought to be shared.) |
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